GALLERY MOEËJEN DAAG: 
Art exhibition: 
 
21 AUGUST UNTIL 
25 OCTOBER 2018 
 
ARTISTS: 
 
SJAAK SMETSERS 
(sculptures Bronze and glass, cupper and wall) 
 
ADRI LANGBROEK 
(painting) 
 
HANS VAN HORCK 
(painting) 

 

You are welcome!

 

Lianne en Sjaak Smetsers

 

Galerie Moeëjen Daag

Grotestraat 61a

5931 CT Tegelen

The Netherlands

T +31 (0)77 3747510

M +31 (0) 646370816

www.moeejendaag.nl

info@moeejendaag.nl

 

Opening hours:

 

Thursday visits by appointment

Friday 12.00 tot 17.00 uur

Saturday 12.00 tot 17.00 uur

for visits by appointment call with tel number

+31 (0) 77 3747510

ADRI LANGBROEK 

HANS VAN HORCK  
(painting) 

SJAAK SMETSERS (Sculptures) 

 

Sjaak Smetsers – A playful alchemist in Tegelen

 

Visual artist Sjaak Smetsers (Venlo, 1954) occupies a position of his own in the lively Venlo art scene. In his studio in Tegelen he has created a huge army of fabulous figures over a period of many years. The predominantly polychrome creatures with delicately finished ‘skins’ are constructed with acute deliberation. Like a supermechanic Sjaak Smetsers assembles his unique figures step by step. He composes them by means of different disciplines and various techniques from entirely different and at times even conflicting materials. His works of art are never generated at one go. Each individual piece is the result of a scrupulously selected combination of mixed media.

 

Like a playful alchemist Sjaak Smetsers thinks up original combinations for each new sculpture. If time permits he casts bronze himself; also tools copper, steel or (silver) tin, melts or fuses various kinds of glass, ingeniously applies gold leaf, silver leaf and metal foil and also manufactures ceramics that can be functionally incorporated.

 

In addition, he grinds, sands and polishes the bronze and induces the patina on all his bronze sculptures himself. Mustering great patience and dedication, he conjures up hues and shades of colour that we would have great difficulty finding in nature.

 

A number of sculptures are embellished with conspicuous belts. Some of those belts are made of copper. Underneath some belts we see glued sheet glass, which has been subtly tooled with hammers and tongs to create a ‘crumbling’ effect.

 

Drawing inspiration also from the innovative Romans, who introduced wonderful varieties of glass to this region as early as two thousand years ago, Smetsers devotes a rather large portion of his time to the personal tooling and artistic conversion of various kinds of glass. Thus, he uses his professional glass furnace to melt coloured glass into transparent fused glass and he melts copper leaf, gold or silver into natural glass.

 

Sjaak Smetsers’ three-dimensional fabulous creatures dovetail intrinsically with a long West-European cultural tradition. They may already be found in the 11th, 12th, 13th and 14th centuries, depicted mainly within apocalyptic settings on portals or on flying buttresses of Roman and Gothic churches.

 

Around 1500 we encounter them in the extraordinarily peculiar work by Jheronimus Bosch and later also with the members of the Brueghel family. In the latter half of the 19th and the early 20th century fabulous creatures with more morbid and villainous features pop up in the work made by symbolist and surrealist artists such as Max Ernst and Joan Miró.

 

After the Second World War we find imaginary mythical beings in all kinds of variants – from aggressive to naïve – among the Cobra artists Karel Appel, Eugène Brands, Constant, Corneille, Asger Jorn, Lucebert and Anton Rooskens. Some of these famous artists used to work as ceramists in Tegelen, which has always enjoyed a cultural atmosphere.

 

The unusual, contemporary work by Sjaak Smetsers links up with a long art tradition, yet it is simultaneously founded on a highly original footing as regards his ideas and their execution. Surely that is no fable. Furthermore, Sjaak is just a very congenial and open human being, artist and entrepreneur.

 

The Artist SJAAK SMETSERS

 

Artist

 

The sculptures made by Sjaak seem to be creatures of the imagination in which the human aspect has been united with animal features. Fantasy and humour, transparent and punctuated with colour. Far away from reality and not swayed by the issues of the day.

 

They look like visions from a dream. However, the intention of the double faces in his sculptures is a different one. As visibly manifest as the two faces are, as easy would it be because of their exterior beauty to pass over their ethical import and their meaning.

 

In his sculptures Sjaak exposes the tension of the moral foundations of human existence with well-nigh unsurpassable transparency. Two faces in one head. Four eyes. Good and evil. Like a sharply seasoned sauce over food of excellent taste. Diabolical and divine.

 

Anyone who possesses a Sjaak Smetsers, possesses both. That is the power of expression of his work. It emanates from his sculptures as well as from his poetry. This energy pervades his work like a pulsating artery. It makes abundantly clear to us that he goes well beyond the eternal difference between the two. Indeed, he even relieves the tension between glass and metal, turning two materials into one. The attentive beholder of his sculptures and the close reader of his poetry alike will understand that he does not lose sight of harmony and opposition. That he brings restraint and liberty together without losing touch with the world around him. It is his way of living. It is his way of being. It is how he treats people, how he treats me. Perhaps that is why I love him so. Perhaps that is what constitutes the attractiveness of his sculptures.

 

However it may be, his theme is universal. Everyone peels off life, hoping to arrive at the essence. Sjaak does so in his own way. He has an attitude to life in which there may be laughter and in which tears may be shed. He peels until he gets to the heart of the matter and attempts to grasp and experience existence from that point. He needs his artistry to achieve this. He has to create in pursuit of this.

 

We may recognise it, both in his art and in his poetry. He does this “with his feet firmly on the ground”, like his sculptures, which are properly earthed and move out into the world on two solid feet.

 

And that world is vast.

 

Lianne Smetsers-Sampers

SJAAK SMETSERS (Sculptures bronze and glass) 

SJAAK SMETSERS (WALL GLASS) 

SJAAK and LIANNE SMETSERS 
THE ARTIST and MUSE 
Owners Gallery Moeëjen Daag